Jordan Peterson: The deepfake artists must be stopped before we no longer know what’s real

Something very strange and disturbing happened to me recently. If it was just relevant to me, it wouldn’t be that important (except perhaps to me), and I wouldn’t be writing this column. But it’s something that is likely more important and more ominous than we can even imagine.

There are already common fraudulent schemes being perpetrated by both telephone and internet. One known as the “Grandparent Scam” is particularly reprehensible, first because it is perpetrated on elderly people who are, in general, more susceptible to tech-savvy criminals and second because it is based on the manipulation of familial love, trust and compassion. The criminal running the Grandparent Scam calls, or emails the victim, pretending to represent a grandchild who is now in trouble with the law or who needs money for a hospital bill for an injury that can’t be discussed, say, with parents, because of the moral trouble that might ensue. They generally call late at night — say at four in the morning — because that adds to the confusion. The preferred mechanism of money movement is wire transfer — and that’s a warning: don’t transfer money by wire without knowing for certain who is receiving it, because once it’s gone, it’s not coming back.

Now what if it was possible to conduct such a scam using the actual voice of the hypothetical victim? Worse, what if it was possible to do so with voice and video image, indistinguishable from the real thing? If we’re not at that point now (and we probably are) we will be within months.

In April of this year, a company called Coding Elite exposed an artificial intelligence (AI) program that took a substantial sample of my voice, which is easily accessible on the YouTube lectures and podcasts that I have posted over the last years. In consequence, they were able to duplicate my manner of speaking with exceptional precision, starting out by producing versions of me rapping Eminem songs such as Lose Yourself (which has now garnered 250,000 views) and Rap God (which has only garnered 17,000) as well as Rock Lobster (1,400 views). They have done something similar with Bernie Sanders (singing Dancing Queen), Donald Trump (Sweet Dreams) and Ben Shapiro, who also delivered Rap God. The company has a model, the address of which you can find on their YouTube channel, which allows the user to make Trump, Obama, Clinton or Sanders say anything whatsoever.

I happen to think Rap God is an amazing piece of work, and when I first encountered my verbal avatar belting out the lyrics I thought that it was cool, in a teenage tech-geek sort of way. And I suppose it was. This caused quite a stir on the net in April, with media companies such as Forbes and Motherboard (a division of Vice) noting that the machine learning technology only required six hours of original audio (that is, actually generated by me) to produce its credible fakes, matching rhythm, stress, sound and prose intonation.

Recently, however, a company called notjordanpeterson.com put an AI engine online that allows anyone to type anything and have it reproduced in my voice. It’s hard to get access to or use the site, at the moment, presumably because it is currently attracting more traffic than its servers can handle. A variety of sites that pass themselves off as news portals — and sometimes are — have either reported this story straight (Sputnik News) or had a field day (Gizmodo) having me read, for example, the SCUM manifesto (hypothetically an acronym for Society for Cutting Up Men), a radical feminist rant by Valerie Solanas published in 1967. Solanas, by the way, later shot the artist Andy Warhol, an act, driven by her developing paranoia. He was seriously wounded, requiring a surgical corset to hold his organs in place for the rest of his life. TNW takes a middle path, reporting the facts of the situation with little bias but using the system to have me voice very vulgar phrases.

Some of you might know — and those of you who don’t should — that similar technology has also been developed for video. This was reported, for example, by the BBC, as far back as July 2017, when it broadcast a speech delivered by an AI Obama, that was essentially indistinguishable from the real thing. Similar technology has been used, equally notoriously, to superimpose the faces of famous actresses on porn stars, while they perform their various sexual exploits. Movies have also been reshot so that the main actor is transformed from someone unknown to someone with real box office draw. This has happened, for example, to Nicolas Cage, primarily on a YouTube site known as Derpfakes, a play on “deepfakes,” which is what the video recordings created fraudulently by AI have come to be known. More recently Ctrl Shift Face, a YouTube channel, posted a video showing Bill Hader transforming very subtly into Tom Cruise as he performs an impression of the latter on Dave Letterman’s show. It’s picked up four million views in a week. It’s important to note that this ability is available to amateurs. I don’t mean people with no tech knowledge whatsoever, obviously — more that the electronic machinery that makes such things possible will soon be within the reach of everyone. (Bill Hader video)

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